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D-Dl:
Mus. 2119-E-1
Composer:
BERNABEI
Uniform Composer:
BERNABEI, Guiseppe Antonio? (b Rome 1649–d Munich 1732)
Title (Catalogo):
Alma Redemptoris
Location (1765):
Schranck I; Fach 3; Lage 2
I
Int 
B
3
2
 
I/B/3/2
Scoring (1765):
‘a 3 Canone A. T. B’
Materials (1765):
Partitura
Incipit:
Incipit for D-DI: Mus. 2119-E-1
Title:
Alma redemptoris
Thematic Index:
Uniform Title:
Antiphons
Date:
RISM ID no.:
211010611
Former owner:
Jan Dismas Zelenka. Inventarium 43/3
Remarks:
Bound score copy. Blue-grey score cover with later hard binding.
Label on outer binding: Bernabei: G. A. | Alma redemptoris | à 3 voci | col Basso. (hand of Moritz Fürstenau).
Cover title (in Zelenka’s hand): N 3zo | Alma à 3 | di Sigl. Bernabei.
Caption title (Zelenka’s hand): Canon à 3. Trinus et Unus. Alma.
This work was first copied in Vienna in 1717 by Philipp Troyer for Zelenka’s music collection in four volumes: Collectaneorum Musicorum Libri Quatuor, Liber III, 325–6 (Mus. 1-B-98: III/ 37/2).
On this, the later copy, Zelenka figured the bass line. His reworking took place some time after early 1726 (probably in the early 1730s). The lack of initials or a first name for the composer Bernabei led Eitner to attribute this work to Vincenzo Bernabei.
Horn (Hkm, 130–31) attributes the setting to Guiseppe Antonio Bernabei.
Incipit given in Zelenka-Dokumentation, 49, Nr. 44.
Stamps:
BIBLIOTHECA MUSICA REGIA. Sächs. Landes-Bibl.
Other:
A 32
Eitner:
V. 1 (1900), 466: Bernabei, Vincenzo [...] In Dresd. in kath. Kirche befindet sich im Ms. ein Alma redemptoris à 3 in Canone: A. T. B. ohne Vornamen, daher fraglich, welchem der 3 B. sie zugehört. Derselbe Satz auch in Dresd. Mus. Ms. D a 2 a S. 319 und A 32. 4 Bll. P., auch ohne Vornamen.
SLB Card Catalogue:
Bernabei: Alma [redemptoris] à 3 [voci Alt, Ten e Basso col Basso cont. Canon à 3]. [C-dur 4/4; a. d. Ein-bd. ; G. A. Bernabei] Part. 4to. Mus. -Mscr.
Status:
Score copy of Alma Redemptoris by Bernabei (Mus. 2119-E-1) held by SLUB.
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